
THE MISSION
UK - 1986 – DCP – color - 125’
PROTAGONIST OF EUROPEAN CINEMA
Jeremy Irons
➔ TUE 10 NOV | 6:00 PM | SCREEN 2
Direction: Roland Joffé
Screenplay: Robert Bolt
Cinematography: Chris Menges
Editing: Jim Clark
Production design: Stuart Craig
Original score: Ennio Morricone
Costumes: Enrico Sabbatini
Cast: Robert De Niro (Rodrigo Mendoza), Jeremy Irons (Gabriel), Ray McAnally (Altamirano), Aidan Quinn (Felipe Mendoza), Cherie Lunghi (Carlotta), Ronald Pickup (Honthar), Chuck Low (Gabeza), Liam Neeson (Fielding), Daniel Berrigan (Sebastian), Asuncion Ontiveros (Guarani chief), Tony Lawn (Father provincial), Joe Daly (nobleman), Bercelio Moya (Guarani boy), Sigifredo Ismare (witch doctor), Rolf Gray (young Jesuit)
Producers: David Puttnam, Fernando Ghia
Production: Enigma Productions, Goldcrest Film International, Kingsmere Productions Ltd.
Mendoza is an exploiter dabbling in the slave trade. But after he kills his brother Felipe in a fit of rage, he seeks redemption and calls upon the missionaries to assist him. After climbing a cliff with a heavy weight as penance, Mendoza finds redemption and becomes a devout missionary at a settlement run by Gabriel. The missionaries want to promote a new society in which the natives will live together in peace with the Spanish and the Portuguese. But this concept frightens the royal governors, who would rather enslave the natives than encourage peaceful coexistence between the Europeans and the Indians.
"(...) The Mission is a haunting spectacle, it is serious and passionate and in many ways successful; it provides Jeremy Irons with a chance for his purest and most searing film performance, and it gives Robert De Niro another of those nearly impossible physical challenges he thrives on. But the falls may be what you remember most: They’re The Mission scene-stealers. Director Roland Joffé uses their scale and the ferocious implacability of their power as more than a backdrop to this true story—a power struggle between the monarchies of Spain and Portugal in which the fate of the Jesuit order and a nation of Indians rested in the balance. The falls become almost the force of fate: Watching Irons make his first, heart-stopping climb up their slippery rock walls is a visualization of the mettle of those early Jesuits in the face of almost every obstacle. (...)” (Sheila Benson, Los Angeles Times, Nov. 14, 1986)
1986 Cannes FF – Competition: Golden Palm
1987 Golden Globes, USA: Best Screenplay, Original Score; Jeremy Irons nominated as Best Drama Actor
1987 BAFTA Awards: Ray McAnally Best Actor in a Supporting Role, Best Editing, Score
1987 Academy Awards: Best Cinematography
1987 David di Donatello: Best Foreign Producer


